The Internaional
Two Stars (out of five)
2009. Released by Sony Pictures. Running time 118 minutes. Rated R for cursing and violence. Some mild gore. Has closed captions, and English Subtitles. DVD set has commentary and several "making of" featurettes and extended scenes.

Wonder if she knows I'm just faking this? I really have NO idea of what I'm doing. The International, starring Clive Owen and Naomi Watts, tries very hard to be a conscientious action thriller--but ultimately it can’t really decide if it wants to be a hard-hitting social thriller that examines the evils of corporate greed, or just another slam bang action film in the Jason Bourne mode. Owens stars as Louis Salinger, an INTERPOL agent who’s hot on the trail of IBBC, an European bank that’s got its fingers in some very shady dealings. The IBBC is trying to broker a deal that will sell Chinese silkworm missiles to several Mid-Eastern countries, and Owens does a low rent Bourne impersonation as he scrambles across several tourist-trap countries in a desperate attempt to catch them in the act.

Kong?! Look, I've told you, it's over. Now please stop calling me! No, I'm not coming back to Skull Island. It's OVER! The always superb Naomi Watts is largely wasted in her role as a Manhattan assistant district attorney who’s working with Salinger to nab the IBBC. She doesn’t really get much to do except look concerned and run around--when she’s not getting hit by a car. This is really Clive Owens’ show, and while he does a good, dependable job at playing a dogged investigator, the filmmakers never really give us enough about his character’s background to make us care about him. There’s just the slightest hint that his relationship with Watt’s character may be more than professional, but we’re kept at such a vast emotional distance from these two--with the filmmakers telling us next to nothing about them--that it’s really hard to even care.

So many words...all closing in on me...must...shoot...the...words...! And despite its realistic attempts to look at the gritty side of corporate greed, The International can’t help but dive head first into the familiar action movie clichés, such as the protracted gun fight at the Guggenheim Museum, which runs way too long without any police interference. And since Salinger spends this scene trying very hard to keep a potential witness against IBBC alive, it doesn’t make any sense when he doesn’t take the gravely injured man straight to the cops for medical help when they finally do arrive. In spite of its own lofty goals, The International is a lame, ham-handed misfire that manages to waste the time of its cast of good actors--not to mention wasting the viewer’s time, as well. --SF

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