




Dr. Jennifer Keller is going off world to look after some
villagers who are suffering from a virulent strain of the flu. And despite the
fact that it’s his day off, Rodney plans to accompany Keller on her goodwill
mission. He claims that he’s turning over a new leaf, but the real reason
Rodney’s going is because he’s got his eye on Jennifer, and is looking forward
to spending some time alone with her. However, Rodney is annoyed to see that
Ronon is also going along with them--and it soon becomes a contest of
one-upmanship as both men vie for her affections. But a major monkey wrench is
thrown into these romantic proceedings when Keller is abducted from the village
and taken into the woods by man with strange powers. And to make matters even
worse, the Wraith show up.
Written by Carl Binder (he shares a story credit with David Schmidt), who wrote
last year's rollicking Midway, Tracker is a taunt, enjoyable romp in the woods
that works very well on several different levels. Aside from the obvious
conflict--rescuing the kidnapped Keller--Ronon and McKay, who started out as
rivals for Jennifer’s heart, must now work together in an endearing odd couple
fashion to find her. Meanwhile, Keller comes into her own as she fights as much
as she can against her captor, who’s a runner from the Wraith named Kiryk (Mike
Dopud). Jewel Staite and Mike Dopud are superb as Keller and Kiryk, making their
scenes fun to watch. They start out with a tense, cat and mouse relationship
that naturally evolves into one of wary trust.
Staite manages to deftly portray Keller’s burgeoning inner strength without
coming off as a warrior woman cliché, while Dopud is believable as a rough and
rugged runner who’s always thinking on his feet; yet he still brings a level of
welcome complexity to his character that makes him more than one note. Director
William Waring presents the story in his usual stylish manner, making the most
of the exterior locations within the Canadian wilderness. And in addition to
being smart and enthralling, Tracker also has some very funny moments, thanks
mainly to David Hewlett and Jason Momoa. The best comedic moment comes when McKay
shoots a Wraith while hopping on one foot--as corny as this sounds, Hewlett and
Waring make it work, just as they and their cast and crewmates make Tracker as a
whole work exceedingly well.